A Busy Summer 2026

A Busy Summer 2026


Greetings!

It feels good to be this busy — carrying Pierre’s work forward, & keeping the promise I made to him: to keep going with my own work.
So this spring/summer is full. Pierre’s Reader is out. the Poets House three-months exhibition of his notebooks opens on July 14 —his 80th birthday. His gravestone has been erected. My exhibition with my dear friend, the indefatigable & inspiring eco-artist Betsy Damon, is around the corner. Ariane Daguin & I keep cooking along on Voilà Voilà!!, our cooking channel. This Saturday I will be reading from Pierre’s work at Stand4 Gallery as part of Jennifer Jo McGregor’s beautiful exhibition, Charting the Narrows & the Harbor . And Rigwreck, titled after Pierre’s poem & for which he wrote the libretto, is now out from The Crossings the four-times Grammy winning choir conducted by Donald Nally.
Below you’ll find all the information, links & dates. Please come in person if you can — and if you are too far away, you can always follow along online.
Thank you for reading.

À bientôt,
Nicole

DAMON / PEYRAFITTE

 

Betsy DamonWATER, the Agent of Life
Nicole PeyrafitteMementos of a Life Practice

OPENING 6PM
with Action Performance Painting 7PM
Ben Chadabe (percussions)
Thursday June 18


COLLECTIVE ACTION CONVERSATION
Saturday, June 20, 4pm
Betsy Damon and Lauren Bon

LIVING PRACTICES
Friday, June 26, 7pm

Short Films & Conversations with Betsy Damon & Nicole Peyrafitte
Moderated by Alex Jones

BIRD-STATE: A PERFORMATIVE READING
Tuesday, June 30, 7pm
Nicole Peyrafitte
Please join Nicole Peyrafitte at the gallery for Bird-State: A Performative Reading, an evening of bird poems, field notes, voice, and embodied attention presented within the exhibition.
She will read from her ongoing Bird-State series, alongside selected bird poems by Pierre Joris.
Rooted in fieldwork, memory, shores, migration, and the other-than-human world, the evening will bring together poetry, observation, and performance as part of Peyrafitte’s living practice of Bird-State.

198 Gallery
198, 24th Street, Brooklyn, NY 11232

https://www.flipsnack.com/6877BAF7C6F/damon_peyrafitte_card-_web

THE READER IS OUT!



In Between Keep Moving: A Pierre Joris Reader (2026)
Edited by Ariel Resnikoff & Pierre Joris
Afterword by Charles Bernstein.
In Between, Keep Moving: The Pierre Joris Reader gathers, for the first time, the range of Pierre Joris’ work across poetry, prose, poetics, translation & collaboration. Spanning more than half a century, it includes a previously unpublished memoir section and traces his lifelong movement through languages, thresholds & translingual word-worlds. The volume opens toward the continuing life of his work. 


PIERRE JORIS’ NOTEBOOKS

Poets House

Please save the date:
Pierre Joris’ Notebooks Exhibition
Poets House, New York
July–October 2026
Opening July 14 on Pierre’s 80th birthday
Reading with guests soon TBA

Before Pierre’s notebooks travel to the Centre National de Littérature du Luxembourg to be fully digitized and made available to the world, Poets House will present a three-month exhibition curated by John Vincler & the Poets House team, with events, readings & seminars to be announced soon.


VOILÀ VOILÀ ! 

Are you following Voilà Voilà?
With Ariane Daguin, we created a lively cooking series rooted in friendship, Gascon know-how & the pleasure of cooking with confidence. Find us, follow us, & comment on: InstagramFacebookTikTok or YouTube 
We have now posted to 40 fun, instructive food videos — and counting — and have also been leading joyful hands-on workshops at AOOA Farm, with more coming up. Next workshop: August 9 — Omelettes!  


READING PIERRE’S POEM AT STAND 4 GALLERY

I am delighted — & deeply moved — to have been invited by Jennifer Jo McGregor to read Pierre’s poems as part of her beautiful exhibition, Charting the Narrows & the Harbor. Pierre launched Interglacial Narrows at Stand 4 in 2023 (full reading here). So it was especially meaningful to read his poems to echo Jennifer’s work on the Narrows, the harbor, shoreline weather, maps, memory, land & water.

Was May 23 — 3-4 PM 
414, 78th Street, Brooklyn, NY11209


GREENWOOD: Pierre’s resting place

Pierre’s gravestone has now been erected in Green-Wood Cemetery in Brooklyn, NY.He is located in Cedar Dell, also known as Druid Circle — one of the cemetery’s most historic areas, with some of its oldest grave markers dating back to the mid-eighteenth century. Pierre & I used to visit this place.Go read him a poem & bring your binoculars too — Green-Wood is a prime birding destination.  
Look for lot 44602 

LAST NOTE!

Pierre was very fond of his several collaborations with The Crossing, and it is wonderful to see Rigwreck — titled after Pierre’s poem, with music by composer Gabriel Jackson and text/libretto by Pierre Joris — now out, performed by the award-winning choir The Crossing under conductor Donald Nally. Streaming links are gathered here, and physical CDs are available through The Crossing’s album page.

Nicole Peyrafitte /  Karstic-Action : Overstory  / Pastels, Pigments, Egg Yolks on Paper / 78”x42”

Karstic-Action: VOTE 2024!

Karstic-Action: VOTE 2024!

Voting in November 2024 is of the utmost importance. With Pierre Joris, we are steadfast in our mission to mobilize voters. In 2020 we did a series of Karstic-Actions and decided to reiterate the experience this year. This is what we have been doing so far.

From August 17-31, 2024 we had an exhibition: Karstic-Action: Vote 2024! at Stand4 Gallery in Brooklyn, Bayridge (Press Release). On display was the full documentation (paintings, videos, texts, photos) of our Karstic-Action 2020! (details here). Also on display a series of paintings I started in August titled: Birds Can’t Vote, But You Can!



Full video with readings by Jeannine Bardo & Pierre Joris et a performance by Nicole Peyrafitte
Time lapse video performance Nicole Peyrafitte (60 seconds)

Extracts of the Karstic-Action: Vote 2020!

Karstic-Action: Resist-Persist-Assist 11/2020

Stand4 Gallery and Community Art Center
414 78th Street
Bay Ridge, Brooklyn New York 11209
GOOGLE MAP

More info on the exhibitions below:

FREEE for Woman-Life-Freedom

FREEE  for  Woman-Life-Freedom
 
 
          This Karstic-action piece is in solidarity with the Women of Iran. I am deeply inspired by their antediluvian strength resurfacing with force & clarity in their courageous actions.
          The text I wrote & that plays over the video (with music by Miles Joris-Peyrafitte) is loosely based on a Hymn to Inanna attributed to the Mesopotamian poet Enheduanna, the earliest known named author in world history —c.23rd century BCE —.
         Thank you to Sepideh Jodeyri for your activism & relentless work on relaying our support to our Iranian sisters. You prompted this action painting and I am so grateful you did.
            May freedom & peace prevail.
 

Text/ Action/ Video/Editing: Nicole Peyrafitte
Farsi translation : Sepideh Jodeyri
Music: Miles Joris-Peyrafitte
Length: 1:46mn

Filmed in my studio in Brooklyn, NY on October 20, 2022

FREEE

Oh ! Oh ! Oh ! Women of Iran
Oh ! Oh ! Oh ! Women of Iran
ante diluvian women
fighting for you rights inscribed in the Mes
our influence is mighty
your roaring makes the world tremble
your courage rings around the earth
your persistence is formidable 
all of you Enheduanna
all of you high priestesses of freedom
I deeply admire you
you exercise full ladyship over heaven and earth
let me praise your ways
let me praise your greatness
let’s call on Innana goddess of heaven & earth  to power your quest
may a whirlwind of freedom be the only mandatory garment on your hair
don’t be tired sisters
don’t be tired sisters
Khasteh nabâshid
Khasteh nabâshid
Merci!

آه، آه، ای زنان ایران!

زنانِ باستان!

ستیزِ بر حقِ‌ شما نقش می‌زند بر کتیبه‌ها 

با اثری شگرف

و غرّشی رعشه‌افکن در جهان

تهورتان گِرداگِردِ زمین پُرطنین 

استقامت‌تان اِعجاب‌افزا

شما همه انهدوانا

همه کاهنانِ عالی مقامِ آزادی

من همه مدح و ثنا

شما الهام‌بخش

شما حد اعلای زن بودگی بر زمین و در آسمان‌ها

بگذارید مدّاحِ راه‌تان باشم

بگذارید ثنا‌گوی شوکت‌تان

بادا که اینانا، خداوندگارِ زمین و آسمان‌ها بخشد نیرویتان 

بادا که گردبادِ آزادی

تنها پوشاکِ اجباری بر گیسوی‌تان 

خسته نباشید خواهران

خسته نباشید خواهران

خسته نباشید!

خسته نباشید!

مرسی!

 

Podcast Interview & Link

Podcast Interview & Link

          From June 4th- August 26 I was very honored to be part of the exhibition Women and Other Wild Creatures: Matrilineal Tales along with Zinaida (Ukraine), Kateryna Babkina (Ukraine), Iryna Maksymova (Ukraine), Rita Maikova (Ukraine), Aya Shalkar (Kazakhstan/US), Yerke Abuova (Kazakhstan/US), and Susan Coyne (US) at Sapar Contemporary in New York City.

         I deeply thank Nina Levent, curator & gallery director & her team, Joelle Araujo, galerie manager & all the interns for this nurturing & creative experience. 

         There is more info on my piece “Antediluvian Sympoiesis” here

         Many thanks to Bernardine who came to visit the show &  gave me the opportunity to talk about my work on her podcast “Beyond the Paint”. If you listen, please do not hesitate to review & comment!

         Meanwhile, may you all be well & have a glorious end of summer, and get the latest on:

                                                                                   

 

 

 

New Year’s Day 2022: Be Like Water!

New Year’s Day 2022: Be Like Water!

Wishing you a smooth, loving & healthy flow in 2022 despite the complexities we are all going through these days. 

     So, onward into the new year & on January 1st, I performed a new Karstic Action: Be Like Water (video below) for the Poetry Project’s 48th Annual New Year’s day Marathon. My three minute performance was live streamed at around 7:30PM EST. The piece is dedicated to artist Betsy Damon.  Back in October I was privileged to perform a sound scape I created for her performance Listen, Respect, Revere presented at La Mama Gallery during her solo show PASSAGES: RITES AND RITUALS curated by Monika Fabijanska. Betsy’s radical performance practice from the 70s & her relentless worldwide eco-activism inspires, energizes, & prompts action. Hence the Karstic-Action Be Like Water, a performance precipitated by the proximity of great water in my close environment. I have lived on the shore of Shatemuc since 2007 (in Bayridge, Brooklyn) & before that on the shores of Mahicanituck (Albany, NY 1992-2007). Different names for the same river, whether it is the Mohican’s name upstream or the Lenape’s name downstream, the meaning remains the same: “the river that flows two ways,” — thus not just a river, but a tidal estuary, an arm of the sea where salty seawater meets fresh water running off the land. Today we call her Hudson River, after the English navigator Henry Hudson who in 1609 sailed the “Halve Maen (Half Moon),” a Dutch East India Company three-masted flyboat, upstream to Pem-po-tu-wuth-ut or Sche-negh-ta-da, today Albany, NY

     These waters, these lands had long been navigated & populated by native peoples— for at least 10 000 years. But what is left of the 9500 years of these rich & complex layers of life, history, culture? Karstic-Action Be Like Water was broadcast from my studio in Bay Ridge — in the southwest of Brooklyn, located on a terminal moraine created by receding glaciers around 13,000 years ago along the Verrazano Narrows. This land belonged to the Lenape people & there is local evidence of their dwelling here since 4500 BC. The Lenape belong to the Algonquin civilization & spoke Munsee. Given their predominantly oral culture, early written documents are rarely accurate as they come to us from the first colonizers who knew neither their culture nor their language. Like the other Natives, the Lenape have been dispossessed, displaced, practically exterminated. The colonizers also usurped & changed the names of rivers, valleys & mountains which in their languages had held important geographical & linguistic information. From the beginning on the European infiltration started to obliterate the ecological equilibrium of their sustainable land- & water-based environment. Before Henry Hudson, the Florentine Giovanni de Verrazano visited the narrows in 1524, sent by the French king, François 1er. A Brooklyn Eagle article from 1911 reports that graves have been found on the Bliss Estate, or what’s now called Owl’s Head Park. “This is known as Indian Mound, for here Indian relics and bones have been found.” This mound —part of the moraine mentioned above, is my neighborhood park & I visit it almost everyday when I am in Bay Ridge. 

     Karstic Action: Be Like Water is the distillate of the geological, historical, environmental information I acquired over the years, succussed into a 3-minute performance. This work is in the lineage of the KARSTIC-Actions Paintings open-ended series of live performances I started in 2011. They explore proprioception (sense of body position) & kinesthesia (sense of body movement), as meeting points between painting, poetry, voice, music, ecology, geology, history. “Karstic” refers to the geological phenomena of dissolution & transformation at work in the formation of superficial or underground limestone topographies. By a similar principle of infiltration, language transforms into poem, breath into song and colored chalk become pastel into marks on paper or canvas. Always “in/quest of” equilibrium through an ecological consciousness in the literal meaning of that term: greek οἶκος / oîkos/ house, household, dwelling & λόγος / lógos/ discourse, thus science of dwelling. 

     The sound track was pre-recorded (recording & mixing courtesy of Miles Joris-Peyrafitte) to allow me to focus on the physical performance aspect. The text is an assemblage of the “Mahicanituck” song written for the performance “The Bi-Continental Chowder” in the early 2000s & of a second part written over the past week. The background of the live painting is a sheet of paper used as a floor covering & saved from a 2015 action painting. The pigments were a mixture of chewed charcoals burned in the fireplace of our house in my native Pyrenees, pure calcium carbonate (calcite), Ercolano red,  terre verte Brentonico, Chefchaouen blue, French clay,   bauxite de Tourves, sand from the Narrows; all mixed with water & applied with the feet while in headstand (Salamba Sirsasana II). 

 

 
 
Sound file:

 

Text:

Be Like Water
for Betsy Damon on New Year’s day 2022

Mahicanituck, Shatemuc
from lake Tear of the Clouds
she flows & grows
& grows & flows
to meet the Atlantic Ocean at the Verrazano Narrows
Mahicanituck, Shatemuc
great water constantly in motion
great water that flows two ways
they call you Hudson today
we cannot drink your water anymore
we cannot eat your fish or oysters anymore
we cannot swim from your shores anymore
but Mahicanituck, Shatemuc
I feel your flow
I feel your flow
I hope less
feel flow
hope less
feel flow
feel flow
my hydrological cycle
primeval waters
primordial oysters
salty waters
fresh waters
with the bonobos following the Congo trail
waking wading dwelling from canopy to water 
defying that water was “ubered” by an asteroid or comet
but steamed out 4.3 billions years ago
hope is not a strategy
hope is a belief
water was already here
immanent not transcendent
the crucible of non-living & living worlds
feel flow
feel flow
feed flow
feed flow
On the menu du jour: life’s origin
serving primordial soup
on original sea bed
paired with
water to restore the
intimate relationship with life
feel flow
feel flow
Mahicanituck, Shatemuc
great water constantly in motion
great water that flows two ways
we grow & flow
& flow & grow

1 2 3 4