Gerrit Lansing (1928-2018): CRYSTALS OF TIMES

Gerrit Lansing (1928-2018): CRYSTALS OF TIMES
GERRIT LANSING : CRYSTALS of TIME 

A film by:
Nicole Peyrafitte
Pierre Joris & Miles Joris-Peyrafitte
Runtime: 33″07′
2024 Version (footage from November 2012 & June 2013)

In 2012 Pierre Joris & I had the idea of making a short film about Gerrit Lansing & his work. We went up to Gloucester that November 2012 to visit Gerrit who welcomed the idea. We started documenting. Then in June 2013 we came back with much better equipment & with our son Miles Joris-Peyrafitte, who was then a film student at Bard College. We put together an early draft of the film, but realized there wasn’t enough material to make a feature documentary. We would need to come back to shoot more.

Gerrit saw a rough cut and he thought it wasn’t crazy enough! So there was more filming & thinking to do. But we were never able to get around to it as life scattered the three of us in many directions …Then Gerrit’s passed in 2018 & the project went dormant until we decided to come & spend some time in Gloucester this May (2024). We had not returned to Gloucester since Gerrit’s memorial. 

Because this place and its people always gave so much to us, we didn’t want to come back empty-handed. It was time to share what we had.  Though we realize the footage we have is not adequate to make a proper documentary, we think these recordings will be valuable to Gerrit’s friends, to scholars, & to poetry aficionados.

The footage above, Crystals of Times, is all from 2012 & 2013 & contains mostly readings by Gerrit of his poetry.
 It was shot at a number of his favorite places in & around Gloucester and includes footage of a reading he gave while visiting Thorpe Feidt in his studio, with some fascinating banter between Thorpe & Gerrit.

While in Gloucester we decided to screen the footage I had reworked from the 2012/2013 visits, while also sharing  a few videos of memorabilia from 2001, a slide-show of photos of Gerrit’s house from 2012 & 13, and Pierre would read the opening of his essay on Gerrit. You will find all this material on this page.

We deeply thank Jim Dunn for organizing the first screening of Crystals of Time at Paul Cary Goldberg’s studio; we are very grateful to Jim & Paul for setting up this event so efficiently & generously. We thank all who came, both old friends & new aficionados whose reception was so heartwarming & confirmed that this material was worth sharing & circulating. We also thank John & Cecilia for welcoming us at their/Gerrit’s house, Caleb Murphy for opening the archives of Hammond Castle & David Rich for writing a beautiful obit on the Gloucester Times that we used as biographical info in the film.

Below are additional materials we showed at the screening, plus Pierre’s complete essay on Gerrit (he read only a short section that evening). This page will evolve as we process more material from our archives.

Gerrit Lansing’s spirit runs deep in all those he has touched in person or through his poetry. We will always sense his aura upon us. 

Footage shot when Pierre Joris & Nicole Peyrafitte came to visit Gerrit in the summer of 2001: Nicole had recently gotten a video camera, was still learning, so it is not very good quality but we think it has some sentimental value, as least for us! & also good info.
The 4 sections are:
1: Gloucester Beach
2: Plumb Island
3: Visit to Olson’s grave
4: Dogtown Commons with Joe Torra & Patrick Doud & a quick shot of the dinner with the same + Amanda & James Cook

Slide show of Gerrit’s house 2012

Screening at Paul Cary Goldberg’s studio.
Photographs Jim Dunn
Gloucester, MA, 05/22/2024

Poetry Project : Domopoetics Karstic Actions/Works

Poetry Project : Domopoetics Karstic Actions/Works

February 28, 2024 event at the Poetry Project, NYC .

On 02/28/2024 Pierre & I had a wonderful time presenting Domopoetics: Karstic Action/Works at The Poetry Project. We weaved & braided our individual & shared travails. Domopoetics is the name we give to 34 years of daily practices in transforming & intertwining our lives & works, be it through writing, painting, video, physical conditioning, cooking & all other shared household activities. Karstic refers to the geological phenomena of dissolution & transformation at work in the formation of superficial or underground limestone topographies. Here it is taken literally & figuratively as nature & cave explorations are an important part of our process.

Featuring a guest introduction by Urayoán Noel —who was a tough act to follow. This is the best intro we could have had! Thank you dear Ura!

Thank you  Keir GoGwilt for your inspiring & soulful improvised music.

Thank you all for coming, we were overwhelmed by the crowed room filled with a great mix of old & younger friends. 
 
If you missed it below is the Livestream of the event:

Thank you: Miles Joris-Peyrafitte, SiuLi & Chris GoGwilt for the photos.

FREEE for Woman-Life-Freedom

FREEE  for  Woman-Life-Freedom
 
 
          This Karstic-action piece is in solidarity with the Women of Iran. I am deeply inspired by their antediluvian strength resurfacing with force & clarity in their courageous actions.
          The text I wrote & that plays over the video (with music by Miles Joris-Peyrafitte) is loosely based on a Hymn to Inanna attributed to the Mesopotamian poet Enheduanna, the earliest known named author in world history —c.23rd century BCE —.
         Thank you to Sepideh Jodeyri for your activism & relentless work on relaying our support to our Iranian sisters. You prompted this action painting and I am so grateful you did.
            May freedom & peace prevail.
 

Text/ Action/ Video/Editing: Nicole Peyrafitte
Farsi translation : Sepideh Jodeyri
Music: Miles Joris-Peyrafitte
Length: 1:46mn

Filmed in my studio in Brooklyn, NY on October 20, 2022

FREEE

Oh ! Oh ! Oh ! Women of Iran
Oh ! Oh ! Oh ! Women of Iran
ante diluvian women
fighting for you rights inscribed in the Mes
our influence is mighty
your roaring makes the world tremble
your courage rings around the earth
your persistence is formidable 
all of you Enheduanna
all of you high priestesses of freedom
I deeply admire you
you exercise full ladyship over heaven and earth
let me praise your ways
let me praise your greatness
let’s call on Innana goddess of heaven & earth  to power your quest
may a whirlwind of freedom be the only mandatory garment on your hair
don’t be tired sisters
don’t be tired sisters
Khasteh nabâshid
Khasteh nabâshid
Merci!

آه، آه، ای زنان ایران!

زنانِ باستان!

ستیزِ بر حقِ‌ شما نقش می‌زند بر کتیبه‌ها 

با اثری شگرف

و غرّشی رعشه‌افکن در جهان

تهورتان گِرداگِردِ زمین پُرطنین 

استقامت‌تان اِعجاب‌افزا

شما همه انهدوانا

همه کاهنانِ عالی مقامِ آزادی

من همه مدح و ثنا

شما الهام‌بخش

شما حد اعلای زن بودگی بر زمین و در آسمان‌ها

بگذارید مدّاحِ راه‌تان باشم

بگذارید ثنا‌گوی شوکت‌تان

بادا که اینانا، خداوندگارِ زمین و آسمان‌ها بخشد نیرویتان 

بادا که گردبادِ آزادی

تنها پوشاکِ اجباری بر گیسوی‌تان 

خسته نباشید خواهران

خسته نباشید خواهران

خسته نباشید!

خسته نباشید!

مرسی!

 

New Year’s Day 2022: Be Like Water!

New Year’s Day 2022: Be Like Water!

Wishing you a smooth, loving & healthy flow in 2022 despite the complexities we are all going through these days. 

     So, onward into the new year & on January 1st, I performed a new Karstic Action: Be Like Water (video below) for the Poetry Project’s 48th Annual New Year’s day Marathon. My three minute performance was live streamed at around 7:30PM EST. The piece is dedicated to artist Betsy Damon.  Back in October I was privileged to perform a sound scape I created for her performance Listen, Respect, Revere presented at La Mama Gallery during her solo show PASSAGES: RITES AND RITUALS curated by Monika Fabijanska. Betsy’s radical performance practice from the 70s & her relentless worldwide eco-activism inspires, energizes, & prompts action. Hence the Karstic-Action Be Like Water, a performance precipitated by the proximity of great water in my close environment. I have lived on the shore of Shatemuc since 2007 (in Bayridge, Brooklyn) & before that on the shores of Mahicanituck (Albany, NY 1992-2007). Different names for the same river, whether it is the Mohican’s name upstream or the Lenape’s name downstream, the meaning remains the same: “the river that flows two ways,” — thus not just a river, but a tidal estuary, an arm of the sea where salty seawater meets fresh water running off the land. Today we call her Hudson River, after the English navigator Henry Hudson who in 1609 sailed the “Halve Maen (Half Moon),” a Dutch East India Company three-masted flyboat, upstream to Pem-po-tu-wuth-ut or Sche-negh-ta-da, today Albany, NY

     These waters, these lands had long been navigated & populated by native peoples— for at least 10 000 years. But what is left of the 9500 years of these rich & complex layers of life, history, culture? Karstic-Action Be Like Water was broadcast from my studio in Bay Ridge — in the southwest of Brooklyn, located on a terminal moraine created by receding glaciers around 13,000 years ago along the Verrazano Narrows. This land belonged to the Lenape people & there is local evidence of their dwelling here since 4500 BC. The Lenape belong to the Algonquin civilization & spoke Munsee. Given their predominantly oral culture, early written documents are rarely accurate as they come to us from the first colonizers who knew neither their culture nor their language. Like the other Natives, the Lenape have been dispossessed, displaced, practically exterminated. The colonizers also usurped & changed the names of rivers, valleys & mountains which in their languages had held important geographical & linguistic information. From the beginning on the European infiltration started to obliterate the ecological equilibrium of their sustainable land- & water-based environment. Before Henry Hudson, the Florentine Giovanni de Verrazano visited the narrows in 1524, sent by the French king, François 1er. A Brooklyn Eagle article from 1911 reports that graves have been found on the Bliss Estate, or what’s now called Owl’s Head Park. “This is known as Indian Mound, for here Indian relics and bones have been found.” This mound —part of the moraine mentioned above, is my neighborhood park & I visit it almost everyday when I am in Bay Ridge. 

     Karstic Action: Be Like Water is the distillate of the geological, historical, environmental information I acquired over the years, succussed into a 3-minute performance. This work is in the lineage of the KARSTIC-Actions Paintings open-ended series of live performances I started in 2011. They explore proprioception (sense of body position) & kinesthesia (sense of body movement), as meeting points between painting, poetry, voice, music, ecology, geology, history. “Karstic” refers to the geological phenomena of dissolution & transformation at work in the formation of superficial or underground limestone topographies. By a similar principle of infiltration, language transforms into poem, breath into song and colored chalk become pastel into marks on paper or canvas. Always “in/quest of” equilibrium through an ecological consciousness in the literal meaning of that term: greek οἶκος / oîkos/ house, household, dwelling & λόγος / lógos/ discourse, thus science of dwelling. 

     The sound track was pre-recorded (recording & mixing courtesy of Miles Joris-Peyrafitte) to allow me to focus on the physical performance aspect. The text is an assemblage of the “Mahicanituck” song written for the performance “The Bi-Continental Chowder” in the early 2000s & of a second part written over the past week. The background of the live painting is a sheet of paper used as a floor covering & saved from a 2015 action painting. The pigments were a mixture of chewed charcoals burned in the fireplace of our house in my native Pyrenees, pure calcium carbonate (calcite), Ercolano red,  terre verte Brentonico, Chefchaouen blue, French clay,   bauxite de Tourves, sand from the Narrows; all mixed with water & applied with the feet while in headstand (Salamba Sirsasana II). 

 

 
 
Sound file:

 

Text:

Be Like Water
for Betsy Damon on New Year’s day 2022

Mahicanituck, Shatemuc
from lake Tear of the Clouds
she flows & grows
& grows & flows
to meet the Atlantic Ocean at the Verrazano Narrows
Mahicanituck, Shatemuc
great water constantly in motion
great water that flows two ways
they call you Hudson today
we cannot drink your water anymore
we cannot eat your fish or oysters anymore
we cannot swim from your shores anymore
but Mahicanituck, Shatemuc
I feel your flow
I feel your flow
I hope less
feel flow
hope less
feel flow
feel flow
my hydrological cycle
primeval waters
primordial oysters
salty waters
fresh waters
with the bonobos following the Congo trail
waking wading dwelling from canopy to water 
defying that water was “ubered” by an asteroid or comet
but steamed out 4.3 billions years ago
hope is not a strategy
hope is a belief
water was already here
immanent not transcendent
the crucible of non-living & living worlds
feel flow
feel flow
feed flow
feed flow
On the menu du jour: life’s origin
serving primordial soup
on original sea bed
paired with
water to restore the
intimate relationship with life
feel flow
feel flow
Mahicanituck, Shatemuc
great water constantly in motion
great water that flows two ways
we grow & flow
& flow & grow

1 2 3 18